Showing posts with label Between the Buried and Me. Show all posts
Showing posts with label Between the Buried and Me. Show all posts

Sunday, February 7, 2010

Between the Buried and Me












"It's great to be home."
Tommy Rogers couldn't have picked a better place to wrap up the U.S. leg of their tour. BTBAM was marvelous and relentlessly driving in every song, save for their suprisingly contrived breakdowns.
The show opened with The Number Twelve Looks Like You, Scale the Summit, The Devin Townsend Project and Cynic.




Friday, February 5, 2010

Off For the Weekend


We weren't sure at first, but my comrades and I are going to ignore the winter weather advisories flooding the area and we're going to see Of Montreal at The Orange Peel. Needless to say, I'm as pumped up as a gas station at Lowe's Motor Speedway to see this show.

Tomorrow, I'll be catching Between the Buried and Me and others in Charlotte. Get ready for some shots from this concert weekend, and pray we don't get stalled by this gnarly weather.


Later!

Monday, November 16, 2009

Song of the Day


**11/16/09

Between the Buried and Me - Obfuscation

--------------As I listened to the opening riffs to "Mirrors," the first track of BTBAM's October 27th release, The Great Misdirect, I thought to myself, question mark? Are these the same hardcore hometown heroes that I have died over not seeing at the Orange Peel this past Halloween? They've gone softer than butter in an EasyBake!


Then the album launched into "Obfuscation," and I breathed a sigh of relief. Course BTBAM wouldn't let me down - an offensive amount of chugging percussion, Tommy Rogers throwing mouthfulls into the mic, and lengthy, beautifully executed interludes. The band nailed this number at the Lincoln Theatre in Raleigh, North Carolina in September, giving fans a first taste at what was to come on the album. I'm confident that whether or not you're a fan of Between the Buried and Me's pre or post 2005 lineup change, you'll enjoy The Great Misdirect. The moral of the story - never judge an album by its first track.